Works

2009

• The Listening Room, for electronics (commissioned by Daniel Charon)

2008

• Small Room, for alto saxophone, trombone, baritone saxophone, electric guitar, electric bass, percussion, and electronics (in progress) (commissioned by Ellen Cornfield Dance)

2007

• Dance For a Small Room, for alto saxophone, trombone, baritone saxophone, electric guitar, electric bass, and percussion (commissioned by Ellen Cornfield Dance)
• Fault Lines, suite for electronics (commissioned by Ellen Cornfield Dance)

2006

• Get This To My Mother, for electronics (commissioned by Ellen Cornfield Dance)
• Circuits, for electronics (commissioned by Ellen Cornfield Dance)
• Untitled, 2005, suite for electronics, viola, and percussion (commissioned by Martin and Hope Davis)

2005

• Program-Related Activities, collaboration with Donald Undeen, for drumset and baritone saxophone (commissioned by Ellen Cornfield Dance)
• Untitled, 2004, dance suite for electronics (commissioned by the Motus Dance Theatre)
• Things Fall Apart, for The Monster Zero Orchestra
• Main title for 4 A.M., short film score for electronics

2003-2004

• Score for The Tempest, (commissioned by Loose Cannon Productions, Indianapolis)
• Peterborough Street, for The Monster Zero Orchestra
• Leaning From the Steep Slope, dance piece for electronics (commissioned by the Motus Dance Theatre)
• Seven or Eight Birds, dance piece for electronics
• Blowback, for The Monster Zero Orchestra

2000-2003

• Neenog and the Fish For a Long Time, musical with book and lyrics by Catherine Peterson, (commissioned by B-Town Productions, Bloomington, Indiana)
• Leftover Arson, for electric bass, turntables, and tenor saxophone (commissioned by Abdul Rasheed)
• an afternoon, and everything was different, suite for electronics (commissioned by Abdul Rasheed)
• Calcinator Death Ray, for The Monster Zero Orchestra
• The Days are Getting Longer, for The Monster Zero Orchestra
• Roark’s Progress, for The Monster Zero Orchestra
• A Song For…, for The Monster Zero Orchestra
• The Missing Piece Meets the Big O, for mixed a capella chorus
• love is more thicker than forget, for soprano voice and harp

1999 and Earlier

• The Zombie Stomp, for electric bass and vibraphone
• Recess, for chamber orchestra
• Like So Many Americans, for string quintet and voice
• I’m On the Family Tonight!, for trombone and drumset
• Sun and Traffic, 6:45, for Phil Wilson’s Rainbow Band
• Expressway, for Phil Wilson’s Rainbow Band